Monday, 10 November 2014

Session Four

In Session four we discussed the readings "On-Air: Methods and Meanings of Radio" Martin Shingler & Cindy Wieringa, Arnold, 1998, "The Conversation" Coppola 1974, and "Sound and Narrative" David Sonenschein 2001.

We also looked at interviews and editing processes.

One of the main interests I found when talking about the readings was that radio imitates natural speech to make it sound as if it is a spontaneous conversation when in fact it is scripted. When listening to the radio I still believe that it is improvised even now learning it is not. Due it being a blind medium, it is hard to imagine someone reading off a script when the conversation seems to flow naturally.

I also learnt about voices on the radio:

Accents

Statisically, the southern Irish accent is most popular when it comes to radio due to the warm tones of the voice and the least popular is the Birmingham accent.

Gender

It didn't surprise me to find out that womens voices aren't used on the radio as much as men and when radio was first coming about it was completely abnormal for a woman to be involved with radio.

This is due to womens voices supposedly coming across with this hysterical tone which people would relate to gossip. Even to this day women are encouraged to deepen their voice.

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